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- HOTMIX! Nybrent Hyllestadkalk leskes og testes som restaureringsmørtel på Stavanger domkirke
- Was Nidaros Cathedral built from stone extracted in a large underground Medieval quarry?
- New open-access book: Soapstone in the North. Quarries, Products and People. 7000 BC – AD 1700
- “Nidaros: The Portland Cement Cathedral” (Baker Memorial Lecture)
- Forvitring av kleberstein på middelalderkirker – to videoer
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Tag Archives: experimental archaeology
Endelig i gang med hotmix! Med lesking og testing av nybrent Hyllestadkalk til bruk i mørtel for restaurering. Som mange vil huske, brant Norsk Kvernsteinsenter lokal marmor i en nybygd «middelalderovn» i Hyllestad sist juni, et prosjekt støttet av Riksantikvaren. Planen er å leske og teste brentkalken på flere restaureringsprosjekter i Norge, bl.a. på Selja klosterruiner og Stavanger domkirke. Sidene jeg regelmessig jobber sammen med kollegaer i Stavanger, har vi nå gjort flere tester på domkirken med George Murphy og Bjørn Idland, som er restaureringsmurere ved Arkeologisk Museum (UiS). Det er ikke lett å leske kalk som er brent på tradisjonell måte. For det vil alltid være halvbrente og ubrente biter i slik kalk. Akkurat som i middelalderen. Vi lesket kalken på tre ulike måter, og det var liten tvil: tradisjonell hotmix ga det foreløpig beste resultatet! Continue reading
Experimental archaeology: Building a “classic”, intermittent limekiln and burning marble at Millstone Park, Hyllestad, Western Norway
It took us about six months: Building a cylindrical limekiln of the classic Roman/Medieval type with local materials only – stone rubble and clay. In June this year, we built the firing chamber and filled the kiln with 2.5 tons of local marble, covered the kiln with clay on a layer of spruce branches and started burning. Five days and five nights with much of the local community involved! Here’s an extended photo story of the project – the first of its kind in Norway. The quicklime (burnt marble) will be tested at Selja medieval monastery and other restoration projects in Norway. Thanks to all paid and volunteers and support from The ruin restoration programme of the Norwegian Directorate for Cultural Heritage, as well as Hyllestad Municipality! The project was carried out by The Norwegian Millstone Centre/The Museums in Sogn og Fjordane County. Continue reading
Recently I posted a preliminary report on our successful experiments with fire setting in the Melsvik Stone Age chert quarries in Northern Norway. For some curious reason German-speaking readers were not able to watch the attached video of the experiments, perhaps due to country-specific copyright infringements related to the music following the video. “Ring of Fire” by Johnny Cash is, sadly, obviously not for all! In this post there is a link to another version of the video, this time without good old Johnny. And there is more for my German-speaking readers; link to a recent article in Spiegel Online, based on my original story. The fire setting experiments were carried out within the Melsvik archaeological rescue project/excavations, headed by Anja Roth Niemi of the University Museum at Tromsø Continue reading
Burning rock! Experiments with fire setting at the Stone Age Melsvik chert quarries in Northern Norway
In the Melsvik Stone Age chert quarries near Alta in Northern Norway there are dozens of extraction marks that are difficult to explain by other ancient techniques than fire setting. Hence within the Melsvik archaeological project, run by the University Museum of Tromsø, last week we experimented with fire in order to substantiate that it actually formed an important method of breaking loose small and big pieces of stone. The idea was that it is not necessary with big fires and high temperatures, but that small, controlled “bonfires” are enough to create high shear stress and cracking. In this way high temperatures greatly reducing the quality of the chert for tool making are avoided. It works! Here’s a preliminary report with video. Continue reading
Experimental archaeology in old building stone quarries is a rare activity. But not so for Norwegian stone carver Eva Stavsøien. She asked herself how soapstone was extracted in the Middle Ages. Bringing handmade pickaxes, she went to an abandoned quarry … Continue reading