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I work with the geoarchaeology of old stone: quarries, monuments, rock art. And I try to figure out about their weathering and conservation. My domestic services are managed through FABRICA, a registered Norwegian company established with good partners. On this website I publish articles on heritage. For the joy of old stone! Per Storemyr
Visit FABRICA’s website!
- Ny rapport: En studie i saltforvitring når klimaet forandrer seg: Albanustårnet på Selja kloster 2016-2020
- Selja kloster: På leit etter kildene til den beste muresteinen
- Partner in the Borgund Kaupang Project – on the rise and fall of a medieval town
- Selja kloster: Hvor kom middelalderens kalkmørtel fra?
- Firmaet mitt er nå del av FABRICA.no / My company is now part of FABRICA.no
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Tag Archives: Nidaros Cathedral
Experimental archaeology in old building stone quarries is a rare activity. But not so for Norwegian stone carver Eva Stavsøien. She asked herself how soapstone was extracted in the Middle Ages. Bringing handmade pickaxes, she went to an abandoned quarry … Continue reading
Over the last few weeks I’ve been back in Norway for projects on conservation of medieval castle ruins, as well as on provenance of medieval and more modern building stone. Here are some impressions!*
Stone to the northernmost of Europe’s great cathedrals was provided from no less than 50 different quarries across Norway and to some extent from elsewhere in Europe. But there are great differences between the medieval building period (11th to 14th … Continue reading
This summer Tom Heldal (Geological Survey of Norway) and I went on one of our occasional trips to look for old quarries. The aim was to find a marble quarry by the farms Lenn and Fröset in Sparbu close to … Continue reading
Though published some months ago, I would like to briefly present four of my most recent publications. Two derives from the EU QuarryScapes project, two from a conference last year in Trondheim about new research at Nidaros Cathedral.
One of my first projects after the establishment of “Per Storemyr Archaeology & Conservation Services” in August 2010 implied a return to 17th century murals in the entirely painted Regalia room of the Archbishop’s Palace (Trondheim, Norway).