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I work with the geoarchaeology of old stone: quarries, monuments, rock art. And I try to figure out about their weathering and conservation. My domestic services are managed through FABRICA, a registered Norwegian company established with good partners. On this website I publish articles on heritage. For the joy of old stone! Per Storemyr
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- Hyllestad Millstone Quarry Landscape
- Ny rapport: En studie i saltforvitring når klimaet forandrer seg: Albanustårnet på Selja kloster 2016-2020
- Selja kloster: På leit etter kildene til den beste muresteinen
- Partner in the Borgund Kaupang Project – on the rise and fall of a medieval town
- Selja kloster: Hvor kom middelalderens kalkmørtel fra?
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Category Archives: Rock art
I wish clients, partners and followers of my website a Happy and Prosperous New Year! I am glad for the trust you have shown my little company and me in 2018. And I look forward to aid in conservation and archaeological work at monuments, old stone quarries and rock art sites in 2019. Below is a gallery of photos from some of the sites I worked at and visited on excursions last year. Also, a list of reports, publications and web-articles finalised in 2018 is attached. They give a glimpse of activities, many of which will continue. See you in the new year! Continue reading
Tjenester for kulturminnevernet: Hva gjør en geoarkeolog for steinbygninger, steinbrudd og bergkunst?
Mange spør meg: Hva driver du med? Hvilke tjenester tilbyr du? Jeg er geoarkeolog og jobber med rådgivning og forskning knyttet til gamle steinbygninger, steinbrudd og bergkunst, svært ofte i forbindelse med restaurering, konservering og arkeologiske utgravninger. Under skal jeg … Continue reading
I wish to thank my clients, partners, colleagues and followers of my website for a fine year! The very best to you all for 2016! With a cavalcade of images, I would like to recapitulate a few 2015 events. First of all, I was finally able to finish my book on the history of stone quarries, which was published jointly by The Restoration Workshop of Nidaros Cathedral and the Geological Survey of Norway. But my work took me to many parts of Norway, from a Mesolithic quartz quarry near Arendal, deep down south, to the fascinating rock art at Alta, far in the north. Though I was not able to visit Egypt last year, I’m still publishing papers on the geoarchaeology of desert quarries down there, together with good colleagues. Read on! Continue reading
The number of discovered Late Palaeolithic rock art sites in Wadi Abu Subeira (Upper Egypt) is ever increasing, now with finds also outside of the wadi, at el-Aqba el-Saghira. Archaeologist Adel Kelany of the Ministry of Antiquites (MAS) in Aswan has just published an overview paper, now listing ten sites, all with numerous panels. The largest site has a much as a hundred ones. As previously noted on this blog, this world-class rock art is under heavy pressure from modern mining, though efforts to protect the sites have shown some effect recently. Continue reading
A Palaeolithic, life-size Nubian ibex carved on rock: Adel Kelany with new discoveries in Wadi Abu Subeira, Upper Egypt
Archaeologist Adel Kelany of MSA Aswan recently published a key paper on the Late Palaeolithic rock art in Wadi Abu Subeira, Upper Egypt. The paper reports findings from the site CAS-13, which features a true rock art masterpiece: a life-size, almost two metres long Nubian ibex, accompanied by large-scale images of aurochs. The findings tie in with previously reported Late Palaeolithic rock art in Subeira, a wadi north of Aswan. It is also similar to the now famous Late Palaeolithic rock art analysed by Dirk Huyge and team at Qurta near Gebel el-Silsila and at el-Hosh further downstream of the Nile river. This is rock art dating 15-20.000 years back in time and similar to the grand European Late Palaeolithic rock art traditions. Read on for link to Adel’s paper and more information. Continue reading
I want to thank my readers for following my blog in 2013. Happy New Year to you all!
I really do appreciate your loyalty and I hope to be able to write more articles for you about stone – about quarries, monuments and rock art – in 2014 than I did in 2013. In the year that is soon coming to an end I had to focus on various projects and writing for other media than the internet. Many of the great places that I visited and worked at in 2013 may certainly turn up in future blog posts, so I hope you will continue to follow my writings in 2014. As for now, here’s a cavalcade of images from some of the quarries, monuments and rock art sites that touched me over the past twelve months. They span all of history from the Mesolithic to the Early Modern era. Enjoy the slide show! Continue reading
A year ago Dirk Huyge and I published a paper in the Sahara journal on a unique rock art “masterpiece” found among the Epipalaeolithic “geometric” (c. 5-9000 BC) assemblage at el-Hosh in Upper Egypt. Recently, we published another version of … Continue reading
Gharb Aswan – or West Aswan – is the home to some 50.000 Nubian peoples on the west bank of the Nile, by the first cataract opposite the city of Aswan. Among archaeologists and tourists the area is renowned for the “Tombs of the Nobles” at Qubbet el-Hawa and the Coptic St. Simeon’s monastery, both on the UNESCO World Heritage List. But Gharb Aswan is much more than this, for here it is possible to follow human interaction with the landscape for millennia, almost throughout the history of humankind. With a focus on the unique stone working traditions, here’s a synopsis of the “unknown” archaeology of this beautiful desert area – with slideshow, map, bibliography and an overview of missions that have worked here. Continue reading
Earlier this week I attended a workshop on conservation of the prehistoric rock art at Alta in Northern Norway. This gave me the opportunity to take a closer look at the great Stone Age panels in the Hjemmeluft area, which … Continue reading
The rock art at el-Hosh in Upper Egypt is renowned for its fish trap motifs dating to the Epipalaeolithic period (c. 9000-5000 BC). However, during the 2010 field season undertaken by the Royal Museums of Art and History in Brussels … Continue reading