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- Tjenester for kulturminnevernet: Hva gjør en geoarkeolog for steinbygninger, steinbrudd og bergkunst?
- The limekiln at Hyllestad, Western Norway: Rebuilding a new, “historic” kiln for burning lime
- Historien om et saghus i Gudbrandsdalen: Produksjon av kleberstein som ildfaststein til smelteovner
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- The world’s northernmost medieval marble church
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SOAPSTONE! New book on its archaeology and history!
Book: The Stones of Nidaros Cathedral
Visit Millstone Park in Hyllestad, Norway
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Tag Archives: North Atlantic
The small, Romanesque Gildeskål church is one of the most complete marble churches in Norway. It resides at the magnificent coast along the Atlantic Ocean far up north, in Nordland county. And it is, presumably, the northernmost marble building in the world. Together with Giske church further south, it is part of outstanding, but little known, medieval marble architecture in Norway, of which Nidaros Cathedral, with thousands of marble columns, is the most spectacular example. Continue reading
NEW BOOK: Hansen, G. & Storemyr, P. (eds.) 2017. Soapstone in the North: Quarries, Products and People. 7000 BC – AD 1700. UBAS University of Bergen Archaeological Series, 9, 408 p. Abstract: “Soapstone is a remarkable rock. While it is soft and very workable, it is also durable and heat-resistant, and with a high heat-storage capacity. These properties have been recognised and valued around the world since prehistoric times, and soapstone has been used for a multitude of purposes, ranging from everyday household utensils to prestigious monuments and buildings. This book addresses soapstone use in Norway and the North Atlantic region, including Greenland. Although the majority of the papers deal with the Iron Age and Middle Ages, the book spans the Mesolithic to the early modern era. It deals with themes related to quarries, products and associated people and institutions in a broad context. Recent years have seen a revival of basic archaeological and geological research into the procurement and use of stone resources. With its authors drawn from the fields of archaeology, geosciences and traditional crafts, the anthology reflects cross-disciplinary work born of this revival.” Continue reading