Search this site
- HOTMIX! Nybrent Hyllestadkalk leskes og testes som restaureringsmørtel på Stavanger domkirke
- Was Nidaros Cathedral built from stone extracted in a large underground Medieval quarry?
- New open-access book: Soapstone in the North. Quarries, Products and People. 7000 BC – AD 1700
- “Nidaros: The Portland Cement Cathedral” (Baker Memorial Lecture)
- Forvitring av kleberstein på middelalderkirker – to videoer
Popular right now
Find posts by Google Maps
Follow me on
SOAPSTONE! New book on its archaeology and history!
Min nye bok! Klikk på bilde for info. Og hvor kan den kjøpes?
Get this book! (click on pic)
Get informed! State of the Art on natural stone today:
Category Archives: Heritage destruction
This fall I joined the Wadi el-Hudi expedition to the famous Middle Kingdom amethyst gemstone mines in the Eastern Desert south-east of Aswan. The expedition is led by Dr. Kate Liszka of California State University San Bernardino (US), and over the last few seasons it has excavated and documented the ancient mining settlements in very high detail. My task was to take a closer look at the geoarchaeology – to try and understand relationships between geology and mining. It is hugely important to document what is left, for the ancient mining area is now at high risk from looting, modern gold mining and stone quarrying. Continue reading
Over er det et bilde av noe du har sett tusen ganger før. Halitt! Vanlig koksalt. Natriumklorid. Ganske enkelt bordsalt. Havsalt! Havet inneholder jo noe sånt som 3,5% oppløst salt. Når pyttene i fjæra får stå i fred noen dager og sola skinner fra skyfri himmel, da lurer saltet seg ut. Sjøvannet fordamper og etterlater seg de fineste krystaller av ren halitt. Sånn laget man koksalt i gamle dager, handlet med det, kriget om det. For uten koksalt kan vi ikke leve. Kanskje fyrte man opp under brede kjeler med sjøvann for å få fordampningen til å gå raskere, kanskje kjøpte man salt fra store saltgruver på Kontinentet. Men prinsippet er det samme: Når saltholdig vann fordamper, da får vi krystallinsk salt. Men hva om du ikke visste at de fine krystallene i fjæra er koksalt? Og hva om du fant noe som lignet på disse krystallene på et ødelagt murmaleri eller en steinskulptur fra middelalderen? Hva gjør krystallene forresten der? Var det de som ødela? Hva gjør du da? Continue reading
The number of discovered Late Palaeolithic rock art sites in Wadi Abu Subeira (Upper Egypt) is ever increasing, now with finds also outside of the wadi, at el-Aqba el-Saghira. Archaeologist Adel Kelany of the Ministry of Antiquites (MAS) in Aswan has just published an overview paper, now listing ten sites, all with numerous panels. The largest site has a much as a hundred ones. As previously noted on this blog, this world-class rock art is under heavy pressure from modern mining, though efforts to protect the sites have shown some effect recently. Continue reading
Stone quarries were extremely important in ancient cultures, yet they are hardly represented on the World Heritage List. This might be due to misconceptions of the nature of such sites, as producers of raw materials “only”. But in reality many … Continue reading
A Palaeolithic, life-size Nubian ibex carved on rock: Adel Kelany with new discoveries in Wadi Abu Subeira, Upper Egypt
Archaeologist Adel Kelany of MSA Aswan recently published a key paper on the Late Palaeolithic rock art in Wadi Abu Subeira, Upper Egypt. The paper reports findings from the site CAS-13, which features a true rock art masterpiece: a life-size, almost two metres long Nubian ibex, accompanied by large-scale images of aurochs. The findings tie in with previously reported Late Palaeolithic rock art in Subeira, a wadi north of Aswan. It is also similar to the now famous Late Palaeolithic rock art analysed by Dirk Huyge and team at Qurta near Gebel el-Silsila and at el-Hosh further downstream of the Nile river. This is rock art dating 15-20.000 years back in time and similar to the grand European Late Palaeolithic rock art traditions. Read on for link to Adel’s paper and more information. Continue reading
Many of you know the Old Kingdom basalt quarries at Widan el-Faras in the Northern Faiyum Desert. Some of you are also familiar with the partial destruction of the quarries by modern basalt quarrying. When we first started to work at Widan, about 12 years ago, in a project headed by Elizabeth Bloxam at UCL, the breathtaking lava and escarpment landscape was still quite pristine. A few years later a substantial part of the quarries had been eaten by machines. Though we had learnt by then that many other quarries in Egypt were under threat from modern development, Widan was a key reason for starting the QuarryScapes project – an EU-funded project on conservation of ancient quarries. Continue reading
The Palaeolithic rock art in Wadi Abu Subeira, Egypt: Landscape, archaeology, threats and conservation
Since the publication of the threats to the Palaeolithic rock art in Wadi Abu Subeira three weeks ago, there has been much response through e-mail and social media, and the case has been covered by many online magazines and blogs. People in Egypt and elsewhere are concerned, and I wish to thank you all for your interest and for bringing the case along to friends and colleagues, as well as to administrators and politicians. There now seems to be a need for an “unbiased”, comprehensive overview of what is actually known about the landscape, the archaeology, the rock art, the threats, current conservation efforts and options for the future. The overview below is based on published literature, and information that otherwise belongs to the public sphere. It is written in close cooperation with Adel Kelany, and we have benefitted from input by Dirk Huyge. Continue reading
In 2007 one of the most important recent archaeological discoveries in Egypt were made in Wadi (Chor) Abu Subeira near Aswan: A team led by Adel Kelany of the Supreme Council of Antiquities (SCA) found a stunning assemblage of petroglyphs dating to the Late Palaeolithic era (c. 15-20.000 years ago). But now this truly unique testimony of mankind’s early art is on the verge of destruction due to modern mining. Continue reading